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The Beverly Hills, 90210 Visual Aids Have Some Dreams They Can't Shake

Especially the ones about Dylan's revolting self-pedicuring in S05.E26, 'A Song For My Mother.'

The Again With This podcast that accompanies these Visual Aids feels like it's been sleeping for weeks.

50 Shades Of McKay -- although the only thing that needs dominating in this shot is those GODDAMN SHEETS, by a DUMPSTER.

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Guess Kerouac picked his toenails.

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Val's boobs, always our MVP.

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This tat could only be more basic if it were a Chinese character a la Julia Roberts.

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So glad we could spend twenty minutes of screentime on the Malibu-ins.

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tfw she compares you to your mother.

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We can't take hypnosis seriously either, but we're not the ones who put on our best Hemingway vests and cabbed it all the way out to Madame Ding L. Berry's place.

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Oooh, so deep. ...Whatever, get a TV already.

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A predictably bad plane lewk on Donna, from which Sarah is distracted by the possibility that that's Giles from Buffy behind her on the jetway.

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Shave it. All of it. Eyebrows too.

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That's not happiness to see David, is it, Ray. Or are you just about to sneeze?

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If only this STUFF! face were incredulity at what a fucking baby Ray's being, instead of a doomed attempt to jolly him out of his perma-bitchface.

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That's quite a permanent staff directory you've got there, miss.

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"Yes, she moved out. No, I'm not Stephen Tobolowsky."

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No one wants to see David.

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No one wants to see Donna shoot Ray this icy a side-eye and not pair it with a boot, either, but oh well.

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Because bars totally have mailing lists.

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And a bar that obviously doubled as the double-date restaurant set from CHiPs would only be on its third Valentine's bash.

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Not that this guy's even bothered leaving in between them.

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Sheila, who may have been driven mad by the process of growing out her bangs? No shade; been there!

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Ray, typically understanding of Donna's failure to simper at him from the audience in lieu of Doing It.

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You can tell Donna's serious about the search because she's covered up.

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You maybe can't tell that this plot isn't about Donna, thanks to a number of lingering act-outs that spend twice as much time on her in close-up as they do on David. CUT, M'GAHD.

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We aren't trying to homeowner-splain life on the streets to this young lady, but that is an awfully conscientious '90s brow (and recent bleach vintage, not for nothing) for a woman who's outdoors.

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Wish she'd given Donna some lipliner tips.

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Chill out, (b)Ray; she's heard your dumb breathy songs already.

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tfw you can tell that heel turn you agreed to is actually going to torpedo your fledgling career.

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The most believable college-attire/-snack combo the show has ever depicted.

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So the massive tops are genetic then. Got it.

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Donna and her sixth coat of the weekend trip observe the weird father-son bro hug.

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Homeless Sheila serving art-directed-grime non-realness.

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The roving scalp of shock.

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Sheila tries, fails to cry.

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David tries, fails to cry.

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